Last week, while trying to make an informed decision as to
whether it was worth seeing Guy Ritchie’s big-screen reboot of the 1964-1968
NBC spy series The Man From U.N.C.L.E.
in a theater (conclusion: it’s a rental), I came across Sarah Kurchak’s terrific AV Club essay about the iconoclastic
character of Illya Kuryakin, the suave Russian spy played in the original
series by Scottish actor David McCallum (otherwise known as Ducky on NCIS, for anyone too young to have
watched The Man From U.N.C.L.E., yet old
enough to be a fan of NCIS). I’d
never seen the series, but the AV Club piece
intrigued me enough to dive in. Smart move: The show is marvelous. It’s
overflowing with the elements I treasure most in fluff television: insane
plots, snappy banter, swanky soirees, daring escapes, ill-advised hookups, and
bizarre attempts at foreign accents. Along with McCallum’s Illya, it stars
Robert Vaughn as the excellently-named Napoleon Solo—secret agent, all-purpose ladies’
man, and world-class smug bastard. Napoleon and Illya are partners in U.N.C.L.E.
(the United Network Command for Law and Enforcement, obviously), a
multinational spy agency headquartered out of a humble dry-cleaning shop in
midtown Manhattan .
Make no mistake: Napoleon and Illya are terrible spies. Napoleon is fond of walking into a room and
announcing to everyone within earshot that he’s a spy; Illya once spent an
entire episode unaware his partner had been replaced by a lookalike enemy agent.
But they’re both charming and wildly entertaining human beings, and really,
isn’t that what matters?
“The Project Strigas Affair” takes place very early on in
the show’s run—it’s the ninth episode of the first season. It’s notable for
guest-starring both William Shatner and
Leonard Nimoy, two years before the pair made television history as Kirk and
Spock on the original Star Trek. The
episode is a delightful romp: The plot’s a tangled mess, and not much happens in
the way of action, but it’s filled with attractive people in sparkly outfits
swilling champagne at fancy parties, which is more than enough to carry the day.
At U.N.C.L.E. headquarters, regional head Mr. Waverly (Leo
G. Carroll, whose name I cannot see without bursting into “Science Fiction Double Feature” from The Rocky Horror
Picture Show. Sing it with me: “I
know Leo G. Carroll was over a barrel when Tarantula took to the hills…”)
briefs Napoleon and Illya on their new assignment: Laslo Kurasov, a Khrushchev-esque
warmongering ambassador from one of the Balkan states, is threatening to
disrupt disarmament talks between the East and West. For the sake of world
peace, U.N.C.L.E. wants to remove Kurasov from the world stage without turning
him into a martyr. Waverly gives Napoleon and Illya free reign to concoct their
own diabolical scheme to embarrass and discredit Kurasov. Instead of, I don’t
know, planting homemade donkey porn in Kurasov’s briefcase and alerting the
media, the boys put their attractive heads together and devise a hopelessly
convoluted and unnecessarily risky scheme that hinges upon placing civilians in
mortal peril. Business as usual for these two, in other words.
Phase one of their scheme: An U.N.C.L.E. agent staggers into
Kurasov’s embassy with a big fake knife sticking out of his back, bellows something
mysterious about “Strigas YL893!”, and collapses in a bloody heap. Kurasov
(played by Werner Klemperer, Hogan’s
Heroes’ Colonel Klink) and his beleaguered aide Vladeck (Nimoy, taking a
game yet doomed stab at a Russian accent) attempt to unravel the meaning behind
the agent’s cryptic last words. Per faulty intelligence planted by U.N.C.L.E., they
find that “YL893” is the identifying code for one Michael Donfield (Shatner), a
promising young chemical engineer from MIT who gave up a stable job to run a
struggling pest control company.
Phase two: Napoleon and Illya approach Donfield and his wife
Anne (Peggy Anne Garner) and browbeat them into participating in their scheme:
Donfield will pose as the loose-principled, hard-partying brains behind a
top-secret (and utterly fake) government weapons project known by the code name
Strigas. Kurasov, who is angling for a promotion over a hated rival, schemes to
secure his political fortune by bribing Donfield and bringing the secret of
Strigas to his country.
Phase three: Illya dons an improbable mustache and wig and
poses as a member of the secret police. He worms his way into Kurasov’s
confidence, then spends all of his time counseling Kurasov against looking further into Strigas. See what I mean about
“hopelessly convoluted”?
Phase four: It’s a big fancy party! Champagne for everyone! Kurasov and Vladeck
immediately identify Napoleon, who shows up with Michael Donfield, by both name
and occupation. It’s not clear how they know this, but it seems well within the
realm of possibility that at some point in the past Napoleon has sauntered up to
them and introduced himself thusly: “Hi, I’m Napoleon Solo, and I’m a secret
agent with U.N.C.L.E.” Because that’s how Napoleon rolls.
At the party, Donfield makes a boozy spectacle of himself by
pawing Kurasov’s wife and drunkenly quoting 17th century theologian
Henry Aldrich. All this is enough to convince Kurasov that Donfield might be up
for committing a spot of high treason by selling deadly government secrets to a
hostile nation.
It should be noted that Shatner is very, very good at making
a boozy spectacle of himself.
Kurasov takes the bait and sets up a meeting with Donfield.
Prior to the meeting, one of Kurasov’s accomplices tries to eliminate Napoleon
by, ah, squirting poisoned milk from a baby’s bottle in his face. She gets it
all wrong, however, and ends up knocking out Donfield instead. Excellent. As
long as the enemy forces are always slightly
more incompetent than U.N.C.L.E., the world will remain safe.
With Donfield out of commission, Napoleon is forced to step
in and negotiate a plan for selling the Strigas information himself. He meets
with Kurasov’s representative, who happens to be a beautiful woman. Whew! For a
moment there, I was worried Napoleon would have no opportunity to flirt and/or
sleep with a beautiful enemy agent in this episode. Canoodling with the enemy is
one of his signature moves, second only to yammering on about his top-secret identity.
This time, though, he does not sleep with the beautiful
enemy agent. Instead, they banter about hotdogs in a disappointingly
innuendo-free manner, then discuss nerve gas and grand treason over ice cream
sodas.
The beautiful enemy agent sends Napoleon off to meet with another enemy agent, a man named
Linkwood (played by veteran character actor Woodrow Parfrey). As Linkwood is
not a beautiful woman, Napoleon lets Donfield field this meeting instead.
Finally—finally!—a deal is struck: Donfield will hand over
the Strigas plans to Kurasov in exchange for a cool million. Everything’s going
well, and then Vladeck scuttles U.N.C.L.E.’s (preposterous) plan all to hell by
running a background check on Illya, who has wormed his way into the top-secret
exchange under false pretenses. “Who are you two working for?” Kurasov demands
of Illya and Donfield. “The CIA? The French Dezune Bureau? The British Fourth
Sector?” Why he fails to guess U.N.C.L.E. despite knowing that Donfield is a
known associate of famed U.N.C.L.E. super spy Napoleon Solo is left as an
exercise for the viewer.
Illya decides this line of questioning is going nowhere
interesting, so he pops a fake cyanide capsule and pretends to die. This is an
excellent method for ending a conversation, even if it does leave poor innocent
civilian Donfield stranded in a tight spot.
Luckily for Donfield, Kurasov doesn’t interrogate him, or
torture him, or torture his wife, or kill him. Instead, he mutters something
ineffectual yet ominous about Donfield making sure he gets rid of Illya’s body,
then wanders off.
His plan blown to smithereens, Napoleon picks up someone’s
abandoned champagne glass and starts swilling. There’s something very relatable and endearing about a man who, even in his darkest hour, refuses to let perfectly good bubbly
go to waste.
Illya and Napoleon salvage their ruined plan by kidnapping
Linkwood and bullying him into going along with their new plan, which involves spinning a web of sketchy lies to Kurasov
about how the presumed-dead Illya was actually working to procure Strigas for
Kurasov’s despised rival. There are thousand-page Russian historical novels
with plots less needlessly convoluted than this. Next time, guys, save
yourselves the bother and just go straight for the incriminating donkey porn.
It’s vulgar and lacking in finesse, sure, but it’ll give you fewer headaches.
Sidebar: I know the whole field of slash fiction reportedly
originated with Star Trek, which,
again, didn’t even debut until a full two years after this, but I feel confident
in assuming, without investigating the matter, that there is no shortage of
slash out there involving these two boundlessly charismatic knuckleheads:
Spurred into action once again, Kurasov rekindles the deal
with Donfield, exchanging a million bucks for what he believes are the
top-secret plans for Strigas. Which, naturally, turn out to be worthless. More
damning still, Napoleon and Illya deposit the money in a Swiss bank account in
Kurasov’s name, thus leading the Premier of Kurasov’s country to assume Kurasov
has been embezzling funds from the embassy. Kurasov is unceremoniously removed
from power, and everyone’s happy. Especially Vladeck, who gets promoted to
Kurasov’s former position.
Illya and Napoleon show up at the airport to gloat as
Kurasov is escorted back to his homeland under heavy guard—“ha ha, you’re going
to be tortured and killed by your own government for crimes you didn’t
commit!”—because where’s the joy in being a spy if you can’t let your enemy
know exactly how profoundly you’ve defeated him?
Comments
I did see the movie and enjoyed it. Very stylish with some amazing 60's outfits, and delightfully without much substance. Which is kind of what I wanted when I went to see it, so it satisfied. I quite love Armie Hammer, and he's adorable in this movie. And Henry Cavill amuses me as Solo. Put them together snarking at each other and rescuing each other, and I was entertained. (In fact, there's one scene where one of the ladies is trying on dresses in a store and the two agents are arguing about fashion and what she should be wearing... and I thought of you during that scene while I was in the theater!)
And you think it's hard to get Rocky Horror out of your head just because of Leo G Carroll? It's worse in The Quadripartite Affair and The Giuoco Piano Affair, in which the part of Gervaise Ravel is played by Anne Francis...
Heh. Cool about the award-winning slash author...
I'm even started to wonder if Tony dnozzo is a pastiche of solo.
I saw it at the movie theater twice . . . and did not regret it. As for this episode, not only do I regard it as worthy due to the appearances of William Shatner, Leonard Nimoy and Werner Klemperer; it was also pretty damn good.