It’s New Year’s Eve, and Napoleon and Illya are hanging out
at the train station in Vienna
while taking a half-assed stab at doing their job, which in this case means keeping
an eye out for a T.H.R.U.S.H. agent named Herr von Kreidel. Mostly, though,
they’re playing to their strengths: Illya is looking mysterious and
unapproachable while muttering gloomy thoughts about the weather, and Napoleon
is ogling girls.
Madame Nemirovitch (Jessie Royce Landis), a fur-draped,
jewel-bedazzled cosmetics maven, flies into a panic before boarding a
Venice-bound train: Herr von Kreidel, the manager of her salon, was supposed to
bring chocolates and roses to her, and she can’t bear the thought of taking a
long voyage without them. She sends Konrad, her chauffeur, off to look for him.
Von Kreidel, it turns out, has been badly injured in a
traffic accident. He passes the roses and chocolates to a demure young thing
named Eva, along with an urgent message to bring them to Madame Nemirovitch
before her train departs. When Napoleon tries to help her board the train with
her bulky parcels, the chaste and unworldly Eva accuses him of being a
“masher”. Napoleon is disgruntled and affronted at this, but… well, per dictionary.com,
a masher is “a man who makes advances, especially to women he does not know,
with a view to physical intimacy.” Time to face facts, Napoleon: You’re a
masher.
Eva, by the way, is played by Juliet Mills—daughter of Sir John,
sister of Haley, and wife of Grease 2
heartthrob Maxwell Caulfield, who is eighteen years her junior; they’ve been
married since 1980, when Mills was 39 and Caulfield was a dewy young 21. Ms.
Mills, you’re an inspiration to us all.
At the station, Napoleon and Illya spot a nervous, twitchy
man wearing a phony beard. Assuming, erroneously, that he’s von Kreidel, they
follow him onto the train. Because it’s New Year’s Eve, the train is jam-packed
with drunken revelers, including a hard-partying, leggy blonde model who
immediately sets her amorous sights on glacial, aloof Illya. The model, who is
played by Jennifer Billingsley, goes unnamed for the whole episode (she’s
listed in the credits simply as First Model), which is a crying shame, as her plucky
and tireless attempts to shag Illya will provide this episode with a glorious
running gag.
From the privacy of their train compartment, Napoleon uses
his secret cigarette-case communicator to brief Mr. Waverly on their progress.
Per Waverly, Herr von Kreidel is in possession of a capsule containing a
highly-contagious virus that destroys the ability to reproduce. If Napoleon and
Illya fail to find the capsule in time, T.H.R.U.S.H. could obliterate humanity
in a matter of a few generations.
While conversing with Waverly, Napoleon shoots Illya one of
his signature lascivious winks, apropos of absolutely nothing, while Illya
looks mildly disapproving. Well, huh. Look, it’s not that I think Illya and Napoleon
are shagging each other on the sly, it’s just that some scenes make a whole lot
more sense if you assume they’re
shagging each other on the sly.
Eva successfully delivers the roses and chocolates to a
grateful and relieved Madame Nemirovitch. They’re interrupted by the arrival of
the twitchy man, who bursts into Nemirovitch’s compartment and demands to speak
with her. Nemirovitch, who identifies
him as “Dr. Ingster”, calms him down and promises to meet him later in the
drinks car. She then alerts her chauffeur, Konrad, to his presence on the
train.
While searching for Dr. Ingster, whom they still believe to
be von Kreidel, Napoleon and Illya run into Konrad, who is trying to murder
Ingster in the baggage car. Ingster flees to safety, Konrad attacks, weirdly-choreographed
fisticuffs on top of the moving train ensue, and Napoleon ends up killing
Konrad. “We better get him out of sight,” Napoleon says, staring glumly down at
Konrad’s body.
So Napoleon and Illya move Konrad’s corpse from the relative
privacy of the baggage compartment to, uh, the ladies’ room, where it’s
promptly discovered by a nice American tourist.
God, you two. What was the thought process there? What was
going through your decorative heads? Did you just assume women never use the
bathroom, is that it?
In the bar, Eva introduces Napoleon to Madame Nemirovitch,
whereupon Napoleon finally—finally!—figures out that the dude he and Illya
followed onto the train is, in fact, not their assigned target. Upon learning
that Nemirovitch is von Kreidel’s employer, Napoleon immediately realizes she’s
a T.H.R.U.S.H. agent, while she in turn realizes he’s from U.N.C.L.E. Over
glasses of slivovitz, Napoleon and Nemirovitch set about charming the socks off
of each other while carrying on a diplomatic conversation—using carefully veiled
terms, for Eva’s benefit—about their dueling organizations.
At Napoleon’s suggestion that she betray T.H.R.U.S.H. to
work for U.N.C.L.E. instead, Nemirovitch sets him straight: She’s been working
for T.H.R.U.S.H. for almost forty-four years—in fact, she founded the entire organization.
Well, good for you, Madame Nemirovitch! This is probably why T.H.R.U.S.H.’s
track record for promoting women to high-ranking positions is so vastly
superior to U.N.C.L.E.’s.
Illya, meanwhile, is hanging out at the bar, swilling champagne
while shadowing Dr. Ingster. The leggy blonde model tries to flirt with him; in
response, Illya is polite but remote. I feel you, nameless blonde model. Seducing
Illya is like scaling Everest: Many will try and few will succeed, but for
those rare intrepid souls who reach the climax, the bragging rights are phenomenal.
Ingster drags Illya into the men’s room and demands to know
why he’s following him. Dr. Ingster, it seems, is a chemist working for Madame
Nemirovitch; he discovered the infertility virus accidentally while trying to
develop a face cream (…not a very good
chemist, are you, Ingster?), and now Nemirovitz wants to use it for
T.H.R.U.S.H. to wreak mass destruction. The capsule containing the only strain
of the virus is hidden somewhere on the train; Ingster agrees to help Illya and
Napoleon find and destroy it.
Madame Nemirovitch tells guileless young Eva that Napoleon
is a diabolical T.H.R.U.S.H. agent who wants to kill her and use her vast cosmetics
empire for evil. She gives Eva a gun, which was hidden in the bouquet of roses
from von Kreidel. Insisting the gun contains only a mild yet incapacitating gas,
she convinces Eva to seduce Napoleon, then place the gun directly to his head
and pull the trigger. “The gas penetrates directly into the tissues,” she
explains, improbably. Eva, the dumb bunny, agrees to go along with this plan.
Napoleon, Illya, and Ingster ransack the train in search of
the capsule. The leggy blonde model spots Illya, grabs him, and drags him into
her room, presumably to shag him senseless. Illya, a known judo expert, puts up
no resistance, which is as close as anyone’s ever going to get to a confession
of romantic interest from him.
While his partner is having an impromptu mid-assignment
quickie, Napoleon wanders off to do something or other. He leaves Dr. Ingster
alone and undefended in the corridor, where Madame Nemirovitch promptly shoots
and kills him.
Nice going, Napoleon and Illya. Top marks, you two. You should
be very proud.
Blissfully unaware of the spectacular way his assignment is
falling to pieces around him, Napoleon returns to his compartment and finds Eva
lolling on his bed, slathered in makeup and dressed in a fancy gown borrowed
from Madame Nemirovitch. “I’m mad about you,” she proclaims. Bemused, Napoleon
is not buying her act: “You know, so many girls are. I guess it’s because of my
long black hair and the way I play the guitar.” He may be a masher, with vast
and varied tastes—cute flight attendants, lonely Midwestern schoolteachers, winsome
U.N.C.L.E. receptionists, comely T.H.R.U.S.H. assassins, brooding blond
Russians—but he’s pretty much immune to the charms of teenagers. He politely rebuffs
Eva’s advances, then uses his handkerchief to try to wipe off her excessive
makeup.
In a last-ditch effort to seduce him, Eva grabs him and
smooches him, them places the gun to his head. Napoleon wrestles the gun away
and fires it into the air. Designed to kill both the target and the shooter,
the gun fires real bullets in two directions, forward and backward.
While Eva is dealing with the simultaneous realizations
that: a) she almost killed Napoleon, b) she herself almost died in the process,
and c) sweet-natured Madame Nemirovitch might actually be kinda evil, Illya
bursts into the room to tell Napoleon about Dr. Ingster’s murder. Cut to the
same nice American tourist finding a second
body in the ladies’ room. It’s unclear how, exactly, Ingster’s corpse ended up
in the loo, but it’s entirely possible Illya stashed it there, in which case:
Illya, my darling, what is wrong with
you?
Eva suggests that Madame Nemirovitch might be hiding the
capsule in her world-famous jewelry. Illya and Napoleon immediately make plans
to ransack Nemirovitch’s compartment. “Mr. Kuryakin is not unknown as a cat
burglar,” Napoleon tells Eva, whereupon Illya whips out a long coil of rope
from the back of his pants. I have no words.
Using the rope, Napoleon and Illya climb up and over the
roof of the train, then make an unholy racket slipping in through the window of
Nemirovitch’s compartment. Having heard them coming from miles away, she’s
patiently waiting for them, her gun drawn. “It can’t be romance, so I presume
you’re after my jewels,” she tells them dryly. When Napoleon demands the
capsule from her, she calmly sends for the conductor, who detains Napoleon and
Illya on suspicion of attempted burglary.
The conductor locks them up in a barred cell in a storage
compartment. “Did you bring the pocket detonator?” Napoleon asks Illya. Illya
is forced to admit that, no, he left it behind in their hotel room. Ditto for
the electronic screwdriver and the flamethrower. “Did you bring anything?” Napoleon asks, incredulous. “Did
you?” Illya snarls in reply.
Sidebar: While the dialogue is, generally speaking, downright
witty and clever, so much of the humor of this very entertaining series hinges
upon the crackerjack comic timing of Robert Vaughn and David McCallum. Thus, if
you’ve never seen the episode, you’ll just have to take it on faith that
McCallum’s snarling, resentful, aggrieved, long-suffering delivery of “Did you?” is hands-down the funniest
moment in the whole episode.
Illya manages to produce a book of matches. The floor of the
compartment is wooden, so Napoleon gets the brilliant idea to set it on fire to
loosen the bars of their cell. They’ll need an accelerant, though; cases of
cognac, which would do the trick, are stored tantalizingly out of their reach.
When the leggy blonde model wanders in, they convince her to hand them a couple
bottles, then send her off to the bar in search of seltzer.
So after she leaves, they douse the floor with cognac, then
start a blazing inferno in their tiny cell. It’s a marvel these two have
managed to stay alive as long as they have.
In any case, their cockamamie plan works. After extinguishing
the flames with seltzer, they break out of the destroyed cell and head off to
stop Madame Nemirovitch. There’s a grand old fight against some T.H.R.U.S.H.
goons in the corridor, during which Nemirovitch accidentally sprays herself
with her own lethal nerve gas. In her dying moments, she pops a chocolate
containing the virus-laden capsule into her mouth and swallows it, thus ruining
U.N.C.L.E.’s chances of getting its grubby hands on the formula. Fortunately, this
works out fine for Illya and Napoleon, since Waverly had given them strict
instructions to destroy all traces of the virus.
Having lucked into the successful completion of their
mission, Illya and Napoleon swill champagne with Eva and the leggy blonde model
and toast in the new year.
Comments
Anyway, this is absolutely topping my list of eps to see on DVD in a couple weeks!
Juliet Mills is wonderful.
And, yes. Yes I can go onboard with Illya and Napoleon banging each other off-screen. They flirt/bicker/touch each other in EVERY episode, so, it's not like its out of the realm of reason. As someone pointed out (and lost their mind over) on Tumblr: 'Its canon that Illya and Napoleon go on vacation together! That happened!'
Ah, yes, these two. I love them so much, but really guys, have you no survival instincts at all? Burning the barn (cell) while still in it should make the psychiatric department of U.N.C.L.E look at you two more closely.
I have a theory. Possibly wrong, but a theory nonetheless: I think all of the trainees and screwups get sent to the NYC division of U.N.C.L.E until they get better or die. This would explain Waverly's resignation to his 'best agents' shenanigans and why he's so pragmatic about anyone's deaths, including their own.
I love this episode run-down. Spot on, as always. This glorious little gem of an episode will be seen again... if nothing more than to see Solo weirdly flirt with Illya and Illya growl at him later in the cell. It's all gold.
So my highlights, apart from the ones you guys already mentioned were:
-Ingster caressing Illya's knee and getting all up in his personal space. For someone so untactile as Illya, it's funny how much he inspires it in others.
-The bit where NS and IK are spraying soda on the bars, around 45 mins 51 seconds going by my Amazon online episode, it seems that McCallum starts to corpse (laugh), then he quickly hides it.
- Realising that Illya does in fact have MASSIVE bear paw hands! - when he helps Napoloen pull the metal bar off the cell, they have their hands vertically next to each other, and it looks like Illya's hands are bigger than Napoleon's. I read it in a fic and dismissed it but it really is true.
-The general giddiness in that scene on the end. Especially Illya. I want what they're all drinking.
Illya has gigantic hands, it's true.
Really fun episode.