“The Quadripartite Affair” is the third episode of the
series and the first in which Illya plays a significant role (he has a few
throwaway lines in the pilot, then doesn’t appear in the second episode). It
opens with a bizarre bit of stage-setting narration (“In New York City, on a
street in the east forties, there’s an ordinary tailor shop. Or… is it ordinary?”), followed by an even
more bizarre bit in which Napoleon, lllya, and Mr. Waverly awkwardly introduce
themselves to viewers by speaking directly to the camera. This opening was used
for the first few episodes before being mercifully jettisoned.
Somewhere in the rustic hills of Hollywood Yugoslavia,
a young photographer named Marion Raven (Jill Ireland) rushes to comfort her
father, Dr. Gregory Raven, as he screams and cowers from some unseen horror,
while the beautiful and evil Gervaise Ravel (Forbidden Planet’s Anne Francis) and her foppish consort, Harold Bufferton
(John Van Dreelen), observe them via hidden camera. At Gervaise’s request, Colonel
Pattner (Richard Anderson) hunts down and kills Dr. Raven in front of a
distraught Marion.
While investigating Dr. Raven’s murder, Napoleon and Illya
visit Marion at her New York apartment. Per Marion, her father had recently
stumbled across something alarming in Yugoslavia, but was killed before he’d
been able to tell anyone about his discovery. The day before his death, Dr.
Raven had insisted Marion destroy a photograph she’d taken of a yacht. Napoleon
heads off to follow this lead, leaving Illya behind to protect Marion from
whomever murdered her father.
This early on, U.N.C.L.E.’s
writers and producers still seem to be feeling their way around Illya. He’s brusquer
and more Slavic here than he’ll be later in the series, though he’s got an
incongruous yet charming flirtatious streak (after describing Marion as “stubborn”
for refusing to go into hiding, he solemnly tells her, “Resolution is my
favorite virtue.” Napoleon reassures a perplexed yet intrigued Marion: “You’ll
get used to him. He might even grow on you.” It’s cute).
Back at U.N.C.L.E. headquarters, Napoleon flirts shamelessly
with comely female agents while taking a halfhearted stab at doing his job. He discovers
that the yacht Marion photographed is owned by Gervaise, the scheming and
dangerous widow of the former head of France’s army intelligence division.
Having recently sailed from Yugoslavia, the yacht is currently docked in New York.
Left alone with Illya, Marion suggests playing a record. “You
probably don’t have anything I like,” he replies. Illya Kuryakin, music snob
and proto-hipster. He coldly advises Marion to pretend he’s not even there, to just
treat him as part of the furniture. Marion, who is having none of this nonsense,
sets about trying to win him over. Next thing you know, he’s lounging on her living
floor, jacket off, listening to albums and having a whale of a good time.
They’re interrupted by the arrival of a messenger, who drops
off a box of chocolates for Marion. Illya checks the box for traps or
explosives in his usual meticulous manner, i.e. he orders Marion to stand back,
then removes the wrapping and opens it up. The chocolates turn out to be laced
with a mysterious gas, which spreads throughout Marion’s apartment,
incapacitating them both.
Bravo, Illya! This is the very first time viewers have ever seen you out in the field, and
you’ve already botched the mission. It’s almost impressive.
When Illya fails to check in at the expected time, Napoleon
heads over to Marion’s apartment, only to find Marion nowhere in sight and a
gas-addled Illya whimpering and cowering on the floor from some unseen terror.
Disguised as a fire inspector, Napoleon crashes a party on
Gervaise’s yacht, where he rescues Marion from her captors: Gervaise,
Bufferton, and Colonel Pattner, all of whom are corresponding via satellite with
a fourth conspirator, Professor Karadian (Robert Carricart). The “Quadripartite”
of the episode’s title refers to the four villains: Gervaise, Bufferton,
Pattner, and Karadian. Funded by Bufferton’s considerable wealth, Gervaise has
been scheming with the others to overthrow the Yugoslavian government, for some
nebulous and unspecified reason.
Back at headquarters, U.N.C.L.E.’s top scientists inspect
the chocolates sent to Marion and discover traces of diphenyl sulfide, a gas
that inspires severe terror in anyone who inhales it. Professor Karadian, the
creator of the gas, disappeared mysteriously around the same time Colonel
Pattner was stripped of his military commission for his fanatical political
beliefs. It’s… well, it’s a little convoluted and tedious, frankly. Despite the
impeccable pedigrees of the creative staff who worked on this episode—it was
written by frequent U.N.C.L.E. scribe
Alan Caillou and directed by none other than Lethal Weapon’s Richard Donner—the plot is sluggish and hazy, with big
honking chunks of irrelevant exposition getting disgorged during long meetings
in Mr. Waverly’s office. Napoleon has about as much tolerance for these draggy,
sludgy scenes as I do.
Big honking chunks of irrelevant exposition are also disgorged during long meetings on
Gervaise’s yacht, though these scenes are slightly more interesting, mostly
because Gervaise conducts them while swilling champagne and wearing sparkly
gowns and bathing suits. The episode might be a drag, but none of that is Anne
Francis’s fault. Anne is bringing it.
Gervaise and her cohorts are manufacturing massive amounts
of diphenyl sulfide in a mountainous area in Yugoslavia. As the area is
treacherous and nigh-unpassable, Marion agrees to arrange a meeting between
Napoleon and Illya and one of her father’s trusted friends, a Yugoslavian
smuggler named Milan Horth, who will be able to guide them through the
mountains. Napoleon, Illya, and Marion suit up, ready to head into a rough, treacherous
region to take down a pack of fanatical murderers.
Hmm. They don’t exactly inspire confidence, do they?
Upon arriving in Yugoslavia, Napoleon, Illya, and Marion
meet up with Horth (Roger C. Carmel! Good to see you again on this show, sir).
Horth takes them back to his home, which features goats randomly (and
adorably!) wandering around his dining room.
Having led Napoleon and Illya to Horth, Marion’s role in the
mission is now over. She refuses to leave, however, and insists on tagging
along while they raid and destroy Gervaise’s gas-producing lair. For some damn
reason, Napoleon and Illya are totally cool with this. Look, guys, when the
untrained civilian wants to accompany you on a dangerous mission just for kicks,
it’s perfectly okay to say no. In fact, it’s a very good idea to say no.
With Horth guiding them, Illya and Napoleon and Marion wearily
trudge through the Hollywood Yugoslavian hills (Illya: “I had a feeling
I was in shape.” Napoleon: “You learn a little something every day.”). While
Napoleon and Horth scout up ahead, Illya and Marion take a quick breather.
Marion confesses that she’s unable to feel comfortable around grim, dangerous
Illya. Illya once again tries to persuade her to view him as part of the scenery:
“Pretend I’m part of the background. A rock, or a tree.” Marion takes him
literally and leans against him to take a quick nap. Illya and Marion are
pretty adorable together. This is perhaps unsurprising, considering David
McCallum and Jill Ireland were, at this time, married to each other.
Armed guards ambush them at the entrance to Gervaise’s
secret base. Napoleon escapes unseen, but Illya, Horth, and Marion are
captured. After Horth is killed during an escape attempt, Illya and Marion find
themselves locked in a cell together, awaiting interrogation and execution by
their captors. While Illya searches for some way to break out, a traumatized Marion
begins to freak out a little. Illya urges her to stop distracting him, whereupon
Marion snaps, “Just for once, couldn’t you pretend you’re a human being?” Illya
considers this, then agrees: “For a few moments then, let us pretend I’m a
human being.” He gathers her up in a hug. A gigantic, awesome hug.
Future U.N.C.L.E.
historians will agree this is probably the precise moment fervent Illya-mania
began to kick in around the world.
His tender moment with Marion concluded, Illya then enlists
her help in breaking out of their cell.
Illya clings to the grate covering the ceiling vent and tries
to kick it loose. Bemused, Colonel Pattner observes his efforts on hidden
camera: “Energetic young man, isn’t he?”
Meanwhile, Napoleon mugs one of the armed guards, dons his
uniform, infiltrates the compound, and begins merrily setting bombs all over
the place.
Napoleon breaks Illya and Marion out of their cell, then
releases the diphenyl sulfide. As Pattner and Karadian cower in gas-induced
terror, Napoleon, Illya, and Marion saunter casually out of the compound, which
explodes behind them.
Their mission successfully concluded, they head back to New York.
Illya gallantly offers to walk Marion home from headquarters. Napoleon seems a
little nonplussed to find his partner skipping out on work in the middle of the
day, but Waverly, in an uncharacteristically benevolent mood, assures him it
was his idea: “Best possible thing for her. She has a lot to forget. I told
Illya to help her put it all behind her.” Waverly reminds Napoleon that Gervaise
and Bufferton, who were still in New York when the factory in Yugoslavia
exploded, are still at large. Napoleon heads off to investigate their current
whereabouts, thus setting the stage for the return of Gervaise and Bufferton in
“The Giuoco Piano Affair.”
Not an outstanding episode, but it’s got some strong moments,
and it’s notable for featuring the earliest steps on David McCallum’s path from
infrequently-seen supporting character to equal costar with Robert Vaughn.
Related Links:
Comments
Roger C. Carmel is just awesome. I always loved his performances in Star Trek.
'Hmm. They don't exactly inspire confidence, do they?' Should be trademarked for this show. At least in these first-season shows they tried. Still failed hard, but an A for effort.
A shout-out for racial diversity in hiring the henchmen; Illya and Marion get thwarted on their getaway by a black man and an Asian guy. I love you bad guys sooo much! And, oh joy, that annoying alarm from one of the prior episodes is back. This is thoroughly uncalled for and just goes on too long.
Marion... strange little Marion. Its such a shame they wasted an acting talent like Jill Ireland with such an awfully spastic character. I see some moments that really make me want to like her, but then the next scene comes along and makes you go, 'what?' Well, sadly, this won't be the last time Jill has to suffer through horrible characterization at the hands of U.N.C.L.E. writers. I've weathered three of her five performances for this show, and, wow, its not good.
I'm going to have to take another look at Vaughn during the meeting! I totally missed that.
Roger C. Carmel is always a welcome presence, anywhere.
Every once in a while, this show does okay on the diversity front with featuring nonwhite actors as UNCLE and/or THRUSH agents. And then at other times, they just slap a little brown paint on a white actor instead, and we all shake our heads sadly and cringe in embarrassment.