Napoleon saunters down the sidewalk, scoping out the backsides
of attractive women, which is something he does rather often on this show. Has
anyone ever edited together a supercut of Napoleon casually ogling asses? I
feel like that’s something that should exist. When he pauses to stare at a
potted pear tree in a shop window, a window washer drops a large sponge on him.
Napoleon dodges in time to avoid being hit by the sponge, which lands beside
him with a thud and shatters the sidewalk.
At U.N.C.L.E. headquarters, Napoleon and Mr. Waverly discuss
the incident. The pear tree is the calling card of Napoleon’s old nemesis, the
diabolical yet gentlemanly G. Emory Partridge (George Sanders), last seen
tormenting our heroes in various tawdry ways in his private dungeon in “The Gazebo in the Maze Affair”. Illya arrives, straining to push a cart bearing the
object that was hidden inside the sponge: an ingot of Quadrillenium X, which,
per Illya, is the heaviest and hardest material in the world, and which can
generate an electromagnetic field powerful enough to render all navigational
instruments useless. “Anyone who could lay his hands on a large enough supply
of Quadrillenium X could control the earth and the seas!” Mr. Waverly exclaims.
From this, he concludes that Partridge must be working in cahoots with THRUSH.
This seems like a wildly unsubstantiated guess—after all, it could just as
easily mean Partridge had a spare ingot of Quadrillenium X lying around and
decided to drop it on Napoleon’s handsome noggin for kicks—but it turns out to
be 100% accurate, so who am I to criticize his thought process?
An analysis of the ingot shows it came from the Yukon, so Mr.
Waverly sends Illya and Napoleon up north to find and destroy Partridge’s
stockpile of Quadrillenium X. Or… I don’t know, it seems like any substance as
heavy and durable as Quadrillenium X could be used for good as well as for evil,
right? I get how it’s important to keep iconoclastic scientific discoveries out
of the hands of global terrorist organizations, but seriously, Waverly, maybe
your first instinct shouldn’t be to blow it up. Why not instruct Illya and
Napoleon to swipe the Quadrillenium X from Partridge and bring it back to
headquarters, whereupon a well-informed and thoughtful decision could be made
as to what to do with it?
Nah. That’s not the U.N.C.L.E. way. Well-informed decisions
are for also-rans. U.N.C.L.E. is all about blowing stuff up.
Illya and Napoleon head to the Yukon, where they’re
immediately nabbed by harpoon-wielding members of an indigenous tribe, all of
whom are depicted with nuance and complexity and respect for their culture…
nope, I’m lying. You knew I was lying, right? I mean, you’ve all seen this show. The Man From U.N.C.L.E. has many strengths, but “sensitivity to
other cultures” is not one of them. The tribespeople are depicted as a gaggle
of bloodthirsty savages, mindlessly obeying the commands of some rich old white
English dude, who is very plainly not acting in their best interests. They
capture Napoleon and Illya, tie them up in an igloo, and head off to fetch
Partridge.
Soon, a beautiful young woman (Tianne Gabrielle) enters the
igloo. Napoleon and Illya attempt to communicate with her by trotting out
greetings in multiple languages (“Bonjour!” “Guten tag!” “Shalom!”). As it
turns out, she speaks English just fine, thank you very much, but I was nonetheless
heartened by the suggestion our heroes are polylinguists. It’s so rare to see
any indication they possess skills that make them useful as spies, apart from
their pretty faces and sparkling personalities.
The young woman, Murphy, takes an immediate shine to Illya. “I’ve
always adored blond men,” she tells him cheerfully as she frees them from their
bonds. A graduate of McGill University, Murphy is also the daughter of the
tribe’s sadistic headman, who has been inexplicably serving as Partridge’s
lackey. Partridge and the headman burst into the igloo, which sends everyone
scrambling to escape. Partridge captures Napoleon and sends the headman after
Illya. The headman half-heartedly stabs his harpoon through a pile of furs.
Assuming this means he’s killed Illya, he shrugs and wanders off.
Partridge brings Napoleon back to the bustling community he’s
established in the middle of nowhere (there’s a general store, and a jail, and an
old-timey saloon with can-can dancers), which he has modestly dubbed Partridgeville.
As his sweet-natured yet sadistic wife Edith is off visiting relatives in
Sussex, he’s been staying with his lovely young niece, Victoria (Marion
Thompson). At Partridge’s request, Victoria measures Napoleon for a new outfit.
“How do you keep so fit, Mr. Solo?” she asks. “I play games,” he purrs in reply.
After changing into a fancy three-piece suit, Napoleon
settles in for a gentlemanly hand of cards with Partridge. Midway through their
game (in which Napoleon is playing with one hand quite literally tied behind
his back), the headman bursts in and informs Partridge that he killed Illya.
Partridge flies into a rage at the news—he’d wanted to keep both Napoleon and
Illya alive to sell them to THRUSH, and also maybe for some recreational
torture. While Partridge and the headman squabble, Napoleon stages an escape
attempt, which is thwarted by a gun-toting Victoria.
Meanwhile, Illya hides out with Murphy. They have crazy
sparks together, even though he’s kind of an ass about her generous offer to
feed him seal blubber.
They’re soon captured by one of Partridge’s lackeys.
Partridge locks them up in his personal jail, which is guarded by a uniformed
Mountie. Hey, let’s leave the RCMP out of this, okay? Everything U.S. pop
culture has ever taught me about Mounties suggests they’re universally handsome
and adorable and incorruptible. Anyway, Illya feigns a knee injury, which gives
him the opportunity to smuggle a miniature aqua-lung he’d been toting about to
Murphy. He explains the injury to Partridge: “Trick knee acquired in an Olympic
trial. I didn’t make it.” “Persons of your caliber rarely do,” Partridge tells
him snootily. “The team did,” Illya says, his tone laced with acid. As soon as
Partridge leaves, Illya does a quick Russian dance for Murphy to demonstrate
that there’s not a damn thing wrong with his knee.
My goodness. Earlier in the episode, Mr. Waverly makes a
passing comment about how Illya’s past experience in cold climates will suit
him well in the Yukon. Combine that with Illya’s oblique yet proud reference to
Soviet domination in Olympic sports and his display of Russian dancing, and all
of a sudden we’re dangerously close to
actually learning something personal about Illya. We won’t, of course—over four
seasons of the show, we’ll learn damn close to nothing about Illya’s shadowy past
and his private life—but I still feel a giddy rush at this deluge of almost-information.
Meanwhile, to punish Napoleon for his escape attempt, Partridge
subjects him to a little gentlemanly bondage and flogging. Partridge is, of
course, an awful old man with a thoroughly noxious colonialist streak (and boy
howdy, he sure does get lecherous in “The Gazebo in the Maze Affair”), but I kind
of like him anyway. He always seems to maintain a high level of personal
investment in both Napoleon and Illya, which is an excellent quality in a
villain.
Also? He's unapologetically kinky. Again, an excellent quality in a villain.
In the prison, Illya retrieves the aqua-lung from Murphy. To
disguise their activities from the Mountie’s prying eyes, Illya pretends to
smooch her (in a splendid display of Canadian manners, the Mountie very
politely turns his back during their feigned display of affection). Illya frees
them from the cell (I’d explain his escape in greater detail, but it was weird
and confusing and needlessly complicated; suffice it to say it involved Murphy’s
Quadrillenium X pendant, a lamp, a narcoleptic Mountie, the aqua-lung, and some
judiciously delivered karate chops), then heads off to Partridge’s lodge to
free Napoleon from Partridge’s clutches.
With Partridge incapacitated, Illya and Napoleon trace his
stash of Quadrillenium X to the saloon. While Illya searches the premises,
Napoleon stages a distraction by challenging a burly lumberjack (Charles
Horvath, also seen in “The Bat Cave Affair”) to a wrestling match. The
lumberjack is disinclined to take him on, but Napoleon is insistent. “You’ll
never know unless you try,” he says, which seems like the sort of thing he often
says to strangers in bars after a few drinks.
Napoleon, being Napoleon, manages to escalate a friendly
wrestling match into a full-tilt brawl. Bottles are smashed, chairs are thrown,
shots are fired. In the chaos, Illya manages to find the secret entrance to the
vault where the Quadrillenium X is stored. Napoleon, Illya, and Murphy head
into the vault, which locks shut behind them.
Here’s a partial list of items we see are stored in the vault:
- Blocks of Quadrillenium X, the world’s heaviest and strongest material.
- Several pickaxes
- Barrels of gunpowder
- A working jackhammer
Instead of trying to jackhammer and/or blast his way out of
the vault, Illya picks up a chisel and half-heartedly taps at the door for a
bit, then gives up. They all sprawl out on the floor of the vault for a quick
nap before being recaptured.
Partridge floods the vault with knockout gas. By sharing the
aqua-lung, Illya, Napoleon and Murphy manage to stay awake and stage a surprise
attack when Partridge opens the door. It’s all for naught; Partridge quickly
gains the upper hand and recaptures them. Honestly, it’s a little alarming how
often and easily our two able-bodied young spies have been overpowered by their
septuagenarian foe in this episode.
Partridge brings his captives back to his lodge, where
Victoria pulls a double-cross on her uncle. Intending to keep all the cash from
selling the Quadrillenium X to THRUSH for herself, she forces everyone to line
up against the wall. She prepares to shoot them.
Feigning a sentimental streak, Napoleon asks to switch
places with Partridge so he can die next to Illya. A romantic at heart,
Partridge agrees to this. Before Victoria can pull the trigger, Napoleon
reaches up and casually retrieves some explosives he’d stashed inside the mouth
of a taxidermied bear head.
Subtle, Napoleon. Very sneaky.
He chucks the explosives at Victoria, incapacitating her.
After gaining control of the situation, he and Illya leave Victoria and
Partridge behind for THRUSH to deal with, then head off to blow up all the
Quadrillenium X.
They both end up in the hospital, burned and broken and bruised
from various dynamite-related injuries, because apparently they’re not very good at blowing stuff up. Murphy, en
route to McGill to earn her Master’s degree, pays a quick visit to rub noses
with them.
A monstrously silly episode that treads into dubious waters
far too often, and yet Murphy is utterly endearing, and even Partridge has kind
of a creepy charm to him. Despite my better judgment, I sort of love it.
Comments
I'll be nice and not pick on the sets, much to my chagrin. My biggest issue with this episode is the story pacing. Many scenes are too long, or worse; unnecessary. The writer probably was probably working on a vague (fictional) knowledge of Alaska and everyone just smiled and nodded. Canadian Mountie, for crying out loud, really U.N.C.L.E.?
Illesdan -- this episode has the same pacing problem that I had with a lot of the season four episodes, in which there are a lot of scenes not featuring either Napoleon or Illya (in this case, too many scenes with just Partridge and Victoria, during which very little gets accomplished). It slows everything down spectacularly. I suppose the Mountie makes sense geographically, since they were in Canada (Yukon Territory), but I'm not at all sure why a Mountie would be willingly working for Partridge. I think CBS just had a lot of Mountie costumes left over from Sergeant Preston of the Yukon, and the UNCLE staff was all, "eh, we can probably use them."