Somewhere in North Africa, Napoleon hangs out in a hookah bar and ogles belly dancers while eavesdropping on a conversation between THRUSH boss Colonel Hubris (Victor Buono) and his knife-wielding henchman, Malik (Joseph Sirola). THRUSH Central is sending Colonel Hubris millions of dollars to finance his plot to seize control of all of Africa; the money, along with all of THRUSH’s top-secret plans, will be transported via what Hubris refers to as a “robot plane”, which will drop a satchel containing the cash and plans in Hubris’s backyard before self-destructing. In today’s world, in which unmanned aircraft have become commonplace, I think we all really missed an opportunity by opting to call them “drones”. “Robot planes” sounds infinitely cooler.
Illya traces the flight path of THRUSH’s robot plane, which is scheduled to fly directly over Odysseus’s (fictional) Isle of Circe on its way to Hubris’s lair. Equipped with a device designed to signal the plane to remotely jettison its precious cargo, Illya meets up with Napoleon on Circe, where they kill time by hanging out in a café and leering at Mia (Brioni Farrell), a pretty young woman who, as their waiter Narouz (Michael Strong) informs them, is unable to get married because her family is too poor to provide her with a dowry. Illya and Napoleon debate the merits of dowries for a while (Napoleon is anti-dowry; Illya is staunchly pro-dowry), then Napoleon makes a weird and faintly tacky pass at Mia. “Who’d want a dowry with a lovely girl like this?” he asks her. “Any American wouldn’t ask for a penny!” Nonplussed, Mia hurries off without responding. Napoleon asks Narouz, “Did I do something wrong?” Yes, Napoleon, you did. You made a weird and faintly tacky pass at her.